Humor in Zhuangzi functions as a subtle yet incisive philosophical instrument rather than as mere ornament. By staging absurd scenarios, paradoxes, and comic reversals, his text undermines rigid seriousness, dogmatism, and conventional thinking. Pedantic scholars, moralists, and defenders of fixed logic are gently mocked, revealing how arbitrary many social conventions and categories truly are. Through this playful exposure, attachment to “correct” views and one-sided distinctions such as right/wrong or useful/useless is loosened, opening space for a more fluid and open engagement with reality.

This comic strategy also dramatizes the relativity of perspectives and values. Humorous anecdotes show how judgments of good and bad, or useful and useless, are context-dependent and limited by one’s standpoint. Situations that appear tragic or important from one angle may look absurd or trivial from another, highlighting the conditional nature of all such evaluations. Laughter here is not escapist; it becomes a way of sensing directly how no single perspective can claim absolute authority, and how human judgments are always partial.

At the same time, Zhuangzi’s humor points beyond the confines of language and conceptual thinking. Parody, exaggeration, and playful paradox expose how words can twist reality and trap people in endless disputation. By teaching through jokes, parables, and comic characters rather than systematic doctrine, the text conveys insights indirectly, allowing understanding to arise more organically. This indirectness invites a more immediate, intuitive relation to the Dao, one that is not overruled by rigid conceptual schemes or forced intellectual effort.

The tone of lightness and play also models a kind of spiritual freedom characterized by spontaneity and naturalness. Humor embodies an ease that resonates with principles such as effortless action and a return to unforced, authentic responsiveness. The ability to flip viewpoints, laugh at oneself, and accept incongruity mirrors a “wandering” spirit that flows with change rather than resisting it. In this way, comic imagination encourages acceptance of the unpredictable and ever-changing nature of existence, softening the grip of fear and allowing a more relaxed, liberated way of living in accord with the Dao.