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How do the Upanishads explain the nature and role of Maya (illusion) in human experience?

Ever noticed how a movie’s special effects can make dragons seem as real as your morning coffee? The Upanishads cast Maya in much the same light—a cosmic illusion that paints the world with colors and shapes, yet conceals the unchanging Self at its core. In texts like the Chāndogya and Māṇḍūkya, Maya gets described as the power that projects multiplicity onto the singular Brahman, much like a hologram projecting countless images from a single source.

Maya’s role in human experience is twofold. First, it veils true reality. Everyday life feels solid and diverse—birth, death, success, failure—yet this tapestry of contrasts is woven from the same ultimate thread, the Atman-Brahman unity. Maya makes one pinch reality, stumble through joys and sorrows, unaware that the divine Self remains untouched beneath those shifting scenes.

Second, it binds individuals to cycles of desire and ignorance. Social media’s highlight reels, deepfakes, even immersive VR today echo Maya’s trickery: realities so convincing they distract from what’s real. Chasing fame, wealth, or fleeting pleasures under Maya’s spell is akin to chasing shadows in a funhouse—grasping at reflections that slip through the fingers.

Liberation, according to the Upanishads, arrives when discrimination (viveka) dawns and the veil lifts. Wisdom practices—self-inquiry, chanting of the Mahāvākyas, meditative silence—act like a cosmic lens cleaner, revealing the unchanging witness behind the sensory whirlwind. Once that clarity shines through, the world can be enjoyed without getting entangled, much like watching a blockbuster yet knowing it’s only a film.

In today’s hustle—scrolling feeds, chasing notifications—the ancient warning of Maya feels eerily familiar. Recognizing reality’s fleeting filter paves the way to inner freedom, reminding everyone that what truly matters lies beyond the glare of illusion.