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How does the Ashtavakra Gita approach the idea of the world as an illusion (maya)?

Peeling back the layers of perception, the Ashtavakra Gita treats the world’s grand show as much like a magician’s sleight of hand—vivid, captivating, yet ultimately insubstantial. Rather than demonizing maya, it points out that what’s taken as solid reality is actually the mind’s own projection. In verse after verse, the teaching nudges awareness toward its own source: “Mind alone is the cause of bondage and liberation,” it declares, inviting a shift in focus from objects to the very act of experiencing.

In today’s age of social-media filters and metaverse daydreams, this feels eerily on point. Just as apps can overlay dazzling effects on a selfie, so the mind overlays stories onto raw consciousness. The Gita suggests dropping those overlays—no need to chase the next VR headset or TikTok trend—because freedom lies in simply recognizing the stories for what they are. When the mind stops mistaking its own chatter for ultimate truth, the world’s phantom edges blur.

A playful directness characterizes this dialogue. Rather than prescribing elaborate rituals or bookish definitions, it whispers a radical intimacy: the Self is right here, untouched by passing forms. This echoes modern mindfulness movements that urge stepping off the treadmill of constant doing into the realm of pure being. Yet Ashtavakra’s teaching remains sharper than any Silicon Valley start-up pitch. It’s not about adding another app to decompress—it’s about realizing that the app itself is a construct.

By seeing the world as a dream projected on awareness, the Gita doesn’t rob existence of its color; it reveals the painter’s brush. Each moment retains its sparkle, but without the weight of false solidity. In that light, liberation isn’t a distant summit but the simplest turn of perception—no ticket or subscription required.